The Things We're Missing's greatest strength is perhaps its cohesion never in does the album feel like it relies too heavily on one element or another of the group's talents. Similarly, other times B&C employ distorted and reverberating guitars alongside crisp drumming to round off less dynamic vocals. Tracks like “Parachutes,” “Back of Your Head,” and “Reflection” use melodic hooks to lure listeners into lyrical content that otherwise might drag too monotonously into melancholy. It picks up from where Separation left off: in the tumultuous emotional void of a relationship falling apart, and rather than formally offering closure, The Things We're Missing delves more introspectively into the insecure, vulnerable, and frustrated psyche of a lonely soul failing to find companionship. The Things We're Missing features a Balance and Composure that has complete and total confidence in their rendition of the myriad influences they draw from and emulate. Deep and pensive without becoming inaccessible, B&C's mournful but melodic approach seems to have found the sweet spot between vulnerability and aggression.Īn impressively diverse record for a band who has more or less defined a stylistic box for themselves, the band's oscillation between hauntingly wistful melody and heavily distorted angst is driven expertly by the interaction between vocal and guitarwork, with one element feeding off and complementing the other in a manner rarely executed so fluidly for a relatively young band. Their now-trademark sound has always combined intricate melody that takes advantage of their three guitars to set the atmosphere for their angsty vocal delivery. Somewhere in the nebulous gap between '90s-inspired grunge and emotive indie rock, Balance and Composure have managed to carve themselves a surprisingly distinct niche. It's the type of record that makes listeners pause and reflect, evoking moments of happiness and sadness over the course of thirteen songs.Review Summary: Balance and Composure at their most balanced and composed. Picking up where Separation left off, Balance and Composure return once again to push the boundaries of their music with driving riffs and intensely passionate vocals on the band's long-awaited second studio album, The Things We Think We're Missing. After selling out venues in Chicago, Los Angeles, Boston and New York, it was clear their popularity was at an all time high. headlining tour with the recently reunited The Jealous Sound as support. In the Spring of 2013, the band embarked on their first ever U.S. A cohesive listen of anthemic and melodic guitar blitzes with poignant lyricism, rhythmic thrusts and an abrasive pop knack in its overall deliverance, Separation helped establish Balance and Composure as one of underground rock's most promising newcomers.įollowing their debut, Balance and Composure toured continuously over the next several years with the likes of Circa Survive, La Dispute, Touche Amore and Title Fight. Having all met in the Philadelphia suburb of Doylestown, PA through mutual projects during their high school years, Balance and Composure was formed.Ī sonic assault melding influences such as Sunny Day Real Estate, Neutral Milk Hotel and Nirvana, their 2011, critically heralded debut album, Separation, adhered to the band's namesake. Once you get down to an intricate school of thought, the lyricism of singer Jon Simmons shows things in a different light. According to Balance and Composure, they can be loud, quiet and everything in between.
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